Review: Maresi Red Mantle - Maria Turtschaninoff

Maresi Red Mantle by Maria Turtschaninoff, published by Pushkin Children's Books on 6th June 2019

Goodreads synopsis:
For Maresi, like so many other girls, the Red Abbey was a haven of safety in a world ruled by brutal men. But now she is a young woman and it is time for her to leave. She must take all that she has learned from her sisters and return to her childhood home to share the knowledge she has gained.

But when Maresi returns to her village, she realises all is not well - the people are struggling under the rule of the oppressive Earl, and people are too busy trying to survive to see the value of her teachings. Maresi finds she must use all the terrible force of the Crone's magic to protect her people, but can she find the strength to do so when her heart is weakening with love for the first time?

Review:
'Maresi Red Mantle' is the third and final book in the Red Abbey Chronicles. It follows Maresi as she leaves the sanctuary and safety of the Red Abbey and returns to her childhood home of Rovas. She is reunited with her mother, father and siblings but after so many years apart, she has to learn how to be a part of the village and its community. Maresi returns with a mission to carry out and the story follows her as she tries to bring knowledge to Rovas, while facing new challenges and adversity along the way.

The book layout is a series of letters that Maresi writes to the loved ones she has left behind at the Abbey - Jai, Ennike Rose, Sister O and the Venerable Mother. I liked the epistolary format because it felt like being privy to Maresi's inner thoughts and feelings in a very confiding way. It's not always a style that I enjoy but I thought that in this case, it worked really well.

The text is translated from the original Finnish by A.A Prime and the language flowed off the page, with no awkwardness at all.

I found the story really moving and emotional, particularly in the second half. Maresi learns a lot about herself during the course of her life and her revelations are sometimes hard to face and painful but they help her grow into the woman that she wants to become. There is a strong feminist theme throughout the series, focusing on the idea that women can be as strong as men. Turtschaninoff shows through Maresi's choices and decisions that you don't have to concede to a man but can learn to live together in a mutually supportive way; as equals rather than being subservient.

Maresi is a wonderful character and I thoroughly enjoyed following her story as she grows into a unique and caring individual. She embodies the importance of reading and knowledge and that this should be shared with others to help people to grow and feel empowered. The book is a fitting end to the series and to Maresi's journey and it's one that I wouldn't hesitate to recommend.

Blog tour: Maresi Red Mantle - Maria Turtschaninoff

I'm delighted to be taking part in the blog tour today for Maresi Red Mantle by Maria Turtschaninoff, which is the final instalment in the Red Abbey Chronicles. I have a wonderful guest post from Maria about writing a trilogy.

I have written a trilogy that is very un-trilogyesque in style and execution. MARESI is written from the perspective of a young girl chronicling one spring in her life at an all-female Abbey. NAONDEL, the second novel, is actually a prequel set hundreds of years before the events in MARESI and written from the perspective of several first-person narrators. They all tell their own stories of how they came to be in an evil man’s harem, and about their eventual escape. The tone and intent in each story is different. MARESI RED MANTLE is written in epistolary form, as Maresi writes letters back to the Abbey after returning home to the province of Rovas and her tiny native village. There are no answers from the Abbey in the book. The text Maresi wrote in the first novel was intended for the Abbey archives and was written by her with that in mind, so the tone is somewhat different to the one she uses in the last novel, when she writes letters to her friends and teachers. In the letters, too, the tone varies: she writes of different things and in different ways when she’s writing to Sister O, her teacher and guardian of the Crone’s secrets, and when she’s writing to her friend Jai or her friend Ennike, now the servant of the Maiden and keeper of knowledge about the female body and love. We get to see new sides of Maresi, as she shows her fears and insecurities to some recipients and not to others. How does she wish to present herself? What worries her, what occupies her mind? During the course of the correspondence Maresi grows and changes quite a lot, while in the first novel she’s the same throughout, as it’s written looking back at a major event that took place.

            So, in short, to me there has been very little of the trilogy in the writing of the Red Abbey Chronicles. I have not had one continuous story, written in the same manner and style. I think I am fairly incapable of doing so: my mind would get bored. I need to challenge myself with something new every time. Of course, this has led to a lot of cursing and hair-pulling during the writing process! I have complained often and loudly to my husband about why I must make it so difficult for myself. Why can’t I just find one way to tell a story and stick with it?

            But there we have it: I can’t. And the result is this: a trilogy that has very little of the trilogy to it, with a prequel in the middle and a different style every time.

            Are the Red Abbey Chronicles now ended? It’s hard for me to say. I have written two books previously, set in the same universe as the Red Abbey Chronicles, ARRA and ANACHÉ. They have not been published in English yet, unfortunately. But to me all five books are part of the same weave, a tapestry that I knit of this imaginary world of mine, book by book. And I am by no means done with the world. For each book I’ve written there are threads left untied, characters whose stories I would love to dive into and learn more about. Will they all be tied to the Red Abbey? Probably not. But the longer I write in this world the more the stories become intertwined. In MARESI RED MANTLE there are references to both the novels ARRA and ANACHÉ, and I foresee more of this kind of intermingling in the future.